Cullah (Born Ian McCullough on April 27, 1991 in Milwaukee, WI) is a multi-disciplinary artist, producer, songwriter, engineer, and entrepreneur who has been releasing an open-source album of music every year, since 2006, on April 27th.

His performance style varies in instrumentation and accompaniment. Referred to as “The Beck of Milwaukee”, Cullah explores a variety of musical styles. Backed by different ensembles, Cullah may be found playing a folk set with a banjo and guitar or an electronic set with samplers and synths. No matter the instruments, Cullah’s voice comes through strongly. His performance is dynamic and captivating in a way to connect with his audience that is deep and primal, as he has been taught by his family, passed on through the generations.

Cullah describes his pull towards music as “not a choice” and as a magnetic and constant presence in his life; as inherent to his being, perhaps even in his DNA. His grandfather Dick Wolff, orphaned at a young age, would perform the fiddle in bars in Erin, Wisconsin to make just enough money to eat that day. His mother, Mary, was one of seventeen children and eleven daughters – all eleven named Mary in devotion to the Catholic Blessed Mary, Mother of God. His grandfather told endless stories of divine visions and visitations from angels, many delivering music. Cullah’s two grandparents and seventeen aunts and uncles would participate in the largest family band in American history called The Wolff Family Band. 

In 2021, Cullah reached his milestone album ½, where he celebrated half of his life releasing music. Dedicated to the musical craft, Cullah has distributed hundreds of songs and has had his music placed in productions for The Expendables 4, The North Face, The Modern Rogue, Channel 4. As well as video games like D.R.O.N.E the Game, Those Who Remain, and Car Mechanic Simulator 2018.

Now, Cullah tours the world playing his music and building new technologies like Firebird Media in order to realize the collaborative and divine inspiration of Awen. Like his family before him, much of Cullah’s songwriting now can be found rooted in the sacred such as different topics like Hermeticism, Irish Mythology, Gnosticism, Tolkienism, Catholicism, and other Mystery Schools of old.