2025
Cú Chulainn
ᚐ
Ailm
· Pine · foresight
69 Cullective backers · $9,722 raised
Cullah’s 17th studio album is Cú Chulainn (Koo KULL-in or Koo HULL-in), marks an artistic reinvention, paralleling the journey of the ancient with a fresh, ambitious sound that feels both ancient and innovative. Nothing is off limits for Cullah creatively, and it may be his strongest asset as an artist. It’s another bold entry in Cullah’s growing catalog, further cementing…
Tracklist
5 tracks
- 01 Setanta’s Creed 1:57
- 02 The Gift of Emer 4:15
- 03 Nowhere (I Call Home) 4:38
- 04 Warp Spasm 3:27
- 05 Danse L’Intervention 7:18 Watch
Liner notes
Album notes
Written, recorded, and produced by Cullah.
Executive Producer: Ginny McCullough
Associate Producer:
Monique-Angèle Beausoleil, Brandon Burke, David Eltz, The DRB, Tim McCullough, Nucast.io, Melissa Weishaar, John Hornor, Candra, Christopher D Degraff, Christopher Lisowski, Nancy Angelini, Mary Nell Wolff, Tim C Creed, Phillip Emery, Karin Kessler, Malik Alsherees, Mike McCullough, Joseph and Veronica Murphy, Andrew J Lynch, Company Brewing, Kayla McCullough, Gabriel Peiskar, Matt Thomas, Brigid Wolff, Amy Shemwell, Nathaniel Stern, Heinz Schelhammer, Martin McBurney, Shafeek Bakhach, Lynn Tarrence, Michael Neumeyer, Kira Shannon, Malik Alsherees
Photography: Lily Shea.
About the record
The story
Cullah’s 17th studio album is Cú Chulainn (Koo KULL-in or Koo HULL-in), marks an artistic reinvention, paralleling the journey of the ancient with a fresh, ambitious sound that feels both ancient and innovative.
Nothing is off limits for Cullah creatively, and it may be his strongest asset as an artist. It’s another bold entry in Cullah’s growing catalog, further cementing his reputation as one of the city’s most creative voices, and you can check out the release here.
-Allen Halas of Breaking and Entering
One of Milwaukee’s most ambitious and expansive artists, Cullah takes big swings and travels far-ranging terrain on his ambitious five-song, 21-minute EP. It begins with a dreamy “Setanta’s Creed” that merges the likes of Elliott Smith’s fragile falsetto and dreamy, early Bon Iver folk, and closes out with a heart-racing baroque string piece, “Danse L’Intervention.” Track two, “The Gift of Emer,” is the biggest stunner, a sprawling epic with blustery vocals, shaky electronics and earthy acoustic instrumentation that’s not quite like anything else I’ve heard out of Milwaukee’s music scene.-Piet Levy of Milwaukee Journal Sentinel